SAT SAT-Critical-Reading : Section One : Critical Reading

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SAT SAT-Critical-Reading Exam Syllabus Topics:

SAT Section One : Critical Reading Sample Questions:

1. This passage discusses the work of Abe Kobo, a Japanese novelist of the twentieth century.
Abe Kobo is one of the great writers of postwar Japan. His literature is richer, less predictable, and wider-
ranging than that of his famed contemporaries, Mishima Yukio and Nobel laureate Oe Kenzaburo. It is
infused with the passion and strangeness of his experiences in Manchuria, which was a Japanese colony
on mainland China before World War II.
Abe spent his childhood and much of his youth in Manchuria, and, as a result, the orbit of his work would
be far less controlled by the oppressive gravitational pull of the themes of furusato (hometown) and the
emperor than his contemporaries'.
Abe, like most of the sons of Japanese families living in Manchuria, did return to Japan for schooling. He
entered medical school in Tokyo in 1944--just in time to forge himself a medical certificate claiming ill
health; this allowed him to avoid fighting in the war that Japan was already losing and return to Manchuria.
When Japan lost the war, however, it also lost its Manchurian colony. The Japanese living there were
attacked by the Soviet Army and various guerrilla bands. They suddenly found themselves refugees,
desperate for food. Many unfit men were abandoned in the Manchurian desert. At this apocalyptic time,
Abe lost his father to cholera.
He returned to mainland Japan once more, where the young were turning to Marxism as a rejection of the
militarism of the war. After a brief, unsuccessful stint at medical school, he became part of a Marxist group
of avant-garde artists. His work at this time was passionate and outspoken on political matters, adopting
black humor as its mode of critique.
During this time, Abe worked in the genres of theater, music, and photography. Eventually, he
mimeographed fifty copies of his first "published" literary work, entitled Anonymous Poems, in 1947. It
was a politically charged set of poems dedicated to the memory of his father and friends who had died in
Manchuria. Shortly thereafter, he published his first novel, For a Signpost at the End of a Road, which
imagined another life for his best friend who had died in the Manchurian desert. Abe was also active in the
Communist Party, organizing literary groups for workingmen.
Unfortunately, most of this radical early work is unknown outside Japan and underappreciated even in
Japan. In early 1962, Abe was dismissed from the Japanese Liberalist Party. Four months later, he
published the work that would blind us to his earlier oeuvre, Woman in the Dunes. It was director
Teshigahara Hiroshi's film adaptation of Woman in the Dunes that brought Abe's work to the international
stage. The movie's fame has wrongly led readers to view the novel as Abe's masterpiece. It would be
more accurate to say that the novel simply marked a turning point in his career, when Abe turned away
from the experimental and heavily political work of his earlier career. Fortunately, he did not then turn to
furusato and the emperor after all, but rather began a somewhat more realistic exploration of his
continuing obsession with homelessness and alienation. Not completely a stranger to his earlier
commitment to Marxism, Abe turned his attention, beginning in the sixties, to the effects on the individual
of Japan's rapidly urbanizing, growth driven, increasingly corporate society.
From the sentence beginning "He entered medical school", it can be inferred that

A) sick people were sent to Manchuria during World War II.
B) illness would excuse one from military duty in World War II Japan.
C) Abe never intended to practice medicine
D) Abe wanted to help the ill and injured in World War II, rather than fight.
E) Abe entered medical school because he was sick.

2. Jane Goodall was at first a (n) ______ in her field, but since then she has received many accolades for
her work.

A) miser
B) maverick
C) acolyte
D) luminary
E) charlatan

3. In the year 1860, the reputation of Doctor Wybrow as a London physician reached its highest point. It was
re ported on good authority that he was in receipt of one of the largest incomes derived from the practice
of medicine in modern times.
One afternoon, towards the close of the London season, the doctor had just taken his luncheon after a
specially hard morning's work in his consulting-room, and with a formidable list of visits to patients at their
own houses to fill up the rest of his day--when the servant announced that a lady wished to speak to him.
"Who is she?" the Doctor asked. "A stranger?" "Yes, sir."
"I see no strangers out of consulting-hours. Tell her what the hours are, and send her away." "I have told
her, sir."
"Well?"
"And she won't go."
"Won't go?" The doctor smiled as he repeated the words. He was a humorist in his way; and there was an
absurd side to the situation which rather amused him. "Has this obstinate lady given you her name?" he
inquired.
"No, sir. She refused to give any name--she said she wouldn't keep you five minutes, and the matter was
too important to wait till to-morrow. There she is in the consulting-room; and how to get her out again is
more than I know."
Doctor Wybrow considered for a moment. His knowledge of women (professionally speaking) rested on
the ripe experience of more than thirty years; he had met with them in all their varieties--especially the
variety which knows nothing of the value of time, and never hesitates at sheltering itself behind the
privileges of its sex. A glance at his watch informed him that he must soon begin his rounds among the
patients who were waiting for him at their own houses. He decided forthwith on taking the only wise
course that was open under the circumstances. In other words, he decided on taking to flight.
"Is the carriage at the door?" he asked. "Yes, sir."
"Very well. Open the house-door for me without making any noise, and leave the lady in undisturbed
possession of the consulting-room. When she gets tired of waiting, you know what to tell her. If she asks
when I am expected to return, say that I dine at my club, and spend the evening at the theatre. Now then,
softly, Thomas! If your shoes creak, I am a lost man."
What was the female characteristic that was most often observed by Doctor Wybrow?

A) When it comes to determination, there is no creature on earth so prepared to fixate
B) They were all at the same a most peculiarly stubborn species.
C) Once their mind was committed to something, it was impossible to change.
D) Notwithstanding their generally good nature, if cornered, they could become reticent.
E) When set upon a mission or no, the element of an appreciation of time is escaped.

4. When you are restive, you don't have much ----.

A) equilibrium
B) animosity
C) equanimity
D) restlessness
E) motion

5. Sir Giles's irritating reserve, not even excused by a word of apology, reached the limits of his endurance.
He respectfully protested. "I regret to find, sir," he said, "that I have lost my place in my employer's
estimation. The man to whom you confide the superintendence of your clerks and the transaction of your
business has, I venture to think, some claim (under the present circumstances) to be trusted." The banker
was now offended on his side.
"I readily admit your claim," he answered, "when you are sitting at your desk in my office. But, even in
these days of strikes, co-operations, and bank holidays, an employer has one privilege left--he has not
ceased to be a Man, and he has not forfeited a man's right to keep his own secrets. I fail to see anything in
my conduct which has given you just reason to complain." Dennis, rebuked, made his bow in silence, and
withdrew.
Did these acts of humility mean that he submitted? They meant exactly the contrary. He had made up his
mind that Sir Giles Mountjoy's motives should, sooner or later, cease to be mysteries to Sir Giles
Mountjoy's clerk.
Which selection best describes the overall feeling expressed by Sir Giles in 2nd paragraph?

A) He is appalled that Dennis would even question him because he is not behind his desk at work.
B) He appreciates that as a valued employee, Dennis has a right to question his employer.
C) Because of the right to strike, Dennis is perfectly justified in his query.
D) Just because the employer/employee relationship has deteriorated due to employee rights, an
employee still does not have the right to know all that is in an employers mind even if it doesn't have to do
with work specifically.
E) He is very upset that business is not run as it used to be what with all the changes to appease the
employee such as the right to strike, form unions, and have holidays from work.

Solutions: